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Marvin Gaye - Lets get it on

Music and pictures of Marvin Gaye ~ Lets get it on / Heaven must have sent you

Marvin Gaye Lets Get It On

In 1976 Marvin Gayes marriage was about to collapse. He was also just about to be imprisoned because of non-paid child-support to his wife Anna. Reputedly Motown bailed Marvin out and he was suggested to leave US for a some time. Promoter Jeffrey Kruger arranged a European tour to start up in September 1976 and it also included a long waited visit to England for the first time in ten years. This concert in question was held in 10th October before sell-out audience in Edenhall concert hall Amsterdam. The track listing is pretty much identical compared to the Album "Marvin Gaye - Live At The London Palladium!" which was recorded on the same tour seven days earlier. Only songs missing are "Trouble Man" and "God is Love". All the other tracks are exactly (although in different order) the same as on this DVD, even including the content of medleys. These Medleys are actually one of the biggest problems in this concert. In a way the whole concert is one gigantic medley, while atleast what I was expecting, were the full versions of the songs. If compared to the performances in the "Live in Montreux" DVD this concert feels pretty boring. Marvin himself explained the reason for these medleys in Sharon Davis´ biography book like this; "I got a list of songs from my promoter. He told me all the tracks that were popular in England and I just put them into medley form for few minutes because I hadn´t done them in years. In fact, when I sing them in the States people go for popcorn and ...

Marvin Gaye - Let's Get It On live in Montreux 1980

The fabulous Marvin Gaye singing a great version of his classic "Let's Get It On" in Montreux Jazz Festival.

Marvin Gaye - Lets Get It On

Marvin Gaye - Lets Get It On

Lets Get It On - Marvin Gaye (Lyrics)

I Love this song!

High Fidelity - Jack Black - Let's Get It On

Jack Black singing Marvin Gaye's Let's Get It On. This scene is just fantastic!

Maceo Parker plays Marvin Gaye "Let's Get It On"

Maceo Parker,Fred Wesley & Pee Wee Elis performing Marvin Gaye's song "Let's get it on".

Let's get it on - Marvin Gaye

Cruisin' Oldies

Marvin Gaye - Lets Get It On

Born Marvin Pentz Gay Jnr. on 2 April 1939 in Washington, DC, USA, Gaye was named after his father, a minister in the Apostolic Church. In the style of his hero Sam Cooke, he added the "e" to his surname as an adult. Marvin Gaye had a hugely successful career spanning several decades. He started out as a session musician and a some-time songwriter for a host of popular Motown acts, coordinating Martha & The Vandella's 'Dancing in the Street' in the early Sixties. Gaye remained Motown's top solo male artist throughout the Sixties with hits including 'I Heard it Through The Grapevine' and 'Ain't No Mountain High Enough' (with Tammi Terrell). By The Seventies, Gaye was writing songs with a more socio-political slant, producing his own albums and taking complete control of his career, a move that rewrote the relationship between artists and recording company forever. The long-simmering eroticism implicit in much of Gaye's work reached its boiling point with 1973's Let's Get It On, one of the most sexually charged albums ever recorded (for that time). It became the most commercially successful effort of his career, and the title cut became his second number one hit. Let's Get It On also marked another significant shift in Gaye's lyrical outlook, moving him from the political arena to a deeply personal, even insular stance that continued to define his subsequent work. His tragic death in 1984, shot by his clergyman father, robbed the world of an artist that was truly great. His ...

Let's Get It On - 1973 Marvin Gaye

Released: September 1973.On Let's Get It On, Marvin Gaye articulated love and lust in ways that presented sex as what it is for adults, a temporary escape from the world. Not until Prince's "1999" (the single, not the album) did someone articulate the dichotomy between social awareness and personal necesities more succinctly. Let's Get It On was a bit more conventional musically (soul crossing into mild funk) and much more focused lyrically than it's predecessor, What's Going On. The record is about loneliness, about ego, about all that goes into someone's mind when he or she is trying to make another person matter. Let's Get It On takes place in a bedroom, but it's about more than the act itself. As much as What's Going On, the album is about fitting into a perfect community. It's impossible to choose one album over the other. After brilliantly surveying the social, political, and spiritual landscape with What's Going On, Marvin Gaye turned to more intimate matters with Let's Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye's passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and "You Sure Love to Ball"; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody.